Eric M. Blake analyzes Clint Eastwood’s “Unforgiven,” emphasizing its genre deconstruction, Western tropes, and underlying conservative themes, particularly gun control.
Tag Archives: Film
The Greatest Conservative Films: It’s A Wonderful Life (1946)
It’s A Wonderful Life is near-universally accepted as a “true” Christmas movie. But when you really get down to it, the argument against Die Hard could just as easily apply here…
The Greatest Conservative Films: Rio Bravo (1959)
By Eric M. Blake Señor Chance, this is my hotel. And you are a guest
The Greatest Conservative Films: Introduction & Rules
Hollywood is not a monolithic entity. It’s a fact that, sadly, so many Conservatives online seem to ignore. How often have we seen calls for, yes, an all-encompassing, en masse boycott of “Hollywierd”—as if it’s all Leftist, and irredeemable, and the enemy?